And then there is the Shroud of Turin, seemingly produced by blood, blood plasma and sweat absorbed from Jesus' dead body at the time of entombment (see box, p. Several reputed examples of each of these holy-iconcloths have surfaced over the centuries.At least three dozen cloths have been identified as Veronica's Veil, the Holy Shroud, and the like.
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Among the earliest acheiropoietai is the Column of the Flagellation, in Jerusalem.
This relic (the column) appears for the first time in fifth-century historical sources, which describe its location in the Church of Holy Sion; but it is only in the sixth century that pilgrims began to see the image of Jesus' hands and chest impressed into its stone surface, left there, presumably, as Jesus was bound in place for the flagellation.
"It doesn't look like any known work of art," they say.
The implication is that its creation was somehow miraculous, perhaps caused by a sudden burst of cosmic energy as the cloth came into contact with the dead body of Jesus.
Guillermo Gonzalez for sending me the issue of BAR with the Shroud article last November and encouraging me to act on it.
Stephen Mattingly - Previously unpublished response to the article "A Letter to Hershel Shanks, Editor of BAR" by Dr.And stealing and forgery were both part of the business.It was also a time when the material remains of Jesus' Passion were very much in vogue, when St. Chapelle solely to enshrine the Crown of Thorns (which had recently been stolen from Constantinopole).The most characteristic form of acheiropoietos, however, is the holy cloth. Veronica stepped forward to wipe the sweat from Jesus' brow as he stumbled toward Calvary, and her towel already transformed into a relic through that holy contact miraculously retained the image of Jesus' face.Known as Veronica's Veil, the relic became one of the most famous acheiropoietai of the Middle Ages.* Another such cloth image (also generated by perspiration) was produced on the night of the betrayal, as Jesus prayed intently at Gethsemane.The single salient quality that these sacred objects share is that very quality that is so striking about the shroud-namely, a faint and elusive image seemingly pro-duced by bodily secretions.